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    Our Mission

    Houses on the Moon Theater Co. exists to dispel ignorance and isolation through the theatrical amplification of unheard voices. We help communities come together and make meaningful connections through the public sharing of their untold stories. Through original performances, post-show discussions and pre-and post- performance issue-based creative workshops, Houses on the Moon is able to offer communities a powerful tool to educate and offer support around the complex issues of our time.

    History

    Houses on the Moon Theater Company was founded in the fall of 2001.

    Founders and co-artistic directors Jeffrey Solomon and Emily Weiner met while working together as teaching artists in the NYC public schools. They discovered they shared very similar ideas about theater being singular in its ability to portray aspects of the human condition in a dynamic, accessible way and to engender complex discussion and lasting and meaningful connections. They began to conceive of a theater company that could create work that was essential in some way: a theater that could truly serve the needs of the community.

    Houses on the Moon incorporated in 2001 and developed their first two projects/plays, which are currently touring nationally. In the spring of 2006 Houses transitioned into a not-for-profit and received its 501c3.  The company is dedicated to creating accessible, easily portable work with a wide appeal for multi-generational and multicultural audiences. While productions sometimes appear in traditional theatrical venues, a special emphasis is placed on expanding the theater walls to include the classroom, boardroom, houses of worship, and other community and public spaces.

    Partnership, feedback and collaboration with community are integral to every phase of development and performance of our theater projects. At the core of our developmental process are extensive interviews with real people about their lives, and a creative search for those human stories that yearn for a much wider hearing.

    The company’s inaugural production “Building Houses on the Moon”, an original play about the lives of gay, lesbian, bisexual and transgendered youth, has been performed for student audiences throughout the U.S. and been used extensively as a diversity training tool for educators and administrators. The play has also appeared at regional theaters such as the City Theatre of Pittsburgh and the Columbus National Gay and Lesbian Theatre Festival where it won the Award for Best Ensemble Production.

    “Finding the Words,” a co-production with Enact, Inc. is a documentary theater piece curated from interviews and poetry of young people and educators who were on the front lines of the unprecedented events of September 11th, 2001. The play toured New York City schools on a grant from Time-Warner and Project Liberty and was presented as a training tool on dealing with traumatized youth at the American Group Psychotherapy Conference. It also appeared Off-Broadway at the Lucille Lortel Theatre.

    “Tara’s Crossing” was inspired by dozens of interviews with refugees fleeing persecution due to their sexual orientation or gender identity. The play is one of the first ever to deal with political asylum for sexual minorities, a remedy that has been available in this country since 1994. The play had its developmental reading at the Queens Theatre’s Immigrant Voices Project and its world premiere run at the Lower East Side Tenement Theatre in a production underwritten by The American Friends Service Committee Immigrant Rights Program as part of their Ford Foundation mandate to educate the public on immigration detention issues. The Detention Watch Network presented the play in the fall of ’05 at their National Conference at the American University Washington School of Law in Washington D.C. as a training tool for immigration lawyers and service providers.

    DE NOVO PART 1 – ‘LIL SILENT, deals with the lives of undocumented youth in U.S. immigration custody and had its world premiere at the Rattlestick Rep in a production underwritten by the American Immigration Lawyer’s Association and New York City’s Department of Cultural Affairs. The Off Broadway Production appeared in the 2010 America’s Off Broadway Festival at 59E59 St. Theaters and a full Spanish translation travelled to El Salvador in June 2011 with a special partnership with photojournalist Donna DeCesare and the Open Society Institute.

    The Houses Board:

    Tony Errichetti, Jane Dubin, Amy Gottlieb, Jeffrey Rosenstock, William Wang

    Houses Community Partners and Presenters:

    American Friends Service Committee Immigrant Rights Program, Kids in Need of Defense, Safe Horizon, Amnesty International, Human Rights First, American Immigration Lawyers Association, Detention Watch Network, American University, Columbia Law School, The Sandra Day O’connor School of Law at Law at Arizona State University, Queens Theatre in the Park, 59 E 59 St. Theaters, Passage Theatre, Penguin Rep, Colorado State University Cesar Chaves celebration, Gerald Lynch Theatre at John Jay College, Brooklyn Center for the Performing Arts, Hostos Center for the Arts and Culture, La Guardia Performing Arts Center, Del E Webb Center for the Performing Arts and Palacio Tecleño in El Salvador.

    Funders: (past and present)

    New York City Department of Cultural Affairs, The Alpern Family Foundation, New York State Council on the Arts, Queens Council on the Arts, The Wellick Foundation, Donna DeCesare (through an Open Society Institute grant), the Rainbow Endowment, The Nancy Quinn Fund, American Friends Service Committee (through a Ford Foundation grant), ENACT Inc (through a Project Liberty grant) and many generous individuals.

    Timeline:

    A selected history of our events, awards, honors and sponsors